The tale of Kang Chul, who is a serpent and has been anxiously waiting for Yeo Ri to accept him as his guardian angel, has been a fairy tale ride.
Kang Chul saw Yeo Ri growing up while hating him as she believes this serpent is responsible for the death of her grandmother. And the eight-foot spirit in the palace is creating terror throughout the village. Yeo Ri accompanies the royal scribe Yoon Gap to the palace so that she can evade the serpent. But Yoon Gap dies, and Kang Chul finds himself in his body.
This story receives negative feedback for ghost elements. None of them is strong enough to terrorize. But the director should receive applause for knitting a tale of every little ghost with such dedication. Using a supportive and golden-hearted King is a raw move that is not very popular in Korean historical fiction. And that distinguishing element makes the story firmer and unprecedented. The chemistry of Yook Sun Jae is quite flat with Bo Na. This duo slayed as individuals but has been quite flat as a pair. It has been a while since the audience has gotten to see the impactful performance of Kil Hae Yeon. She never disappoints. Cha Chung Hwa, as the melodramatic mother, brings the much-needed unfiltered drama that she always brings in with her.
We humans always fall behind in accepting our mistakes. And that lack of apology in time of need destroys everything.
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